A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representationΒ and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of postβSecond World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artistβs technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artistβs enduring interest in photographic imagery; Briony Fer looks at Richterβs family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artistβs engagement with landscape as a site of memory; AndrΓ© Rottmann considers the impact of randomization and chance on Richterβs abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richterβs rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art.



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