The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream
In the first book devoted to Anne Brigman (1869β1950), Kathleen Pyne traces the groundbreaking photographerβs life from Hawaiβi to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigmanβs work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudesβwork that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigmanβs images of the expressive female body in shaping the public persona of Georgia OβKeeffe into his ideal woman artist. This nuanced account reasserts Brigmanβs place among photographyβs most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.
Kathleen Pyne
Yale University Press
Hardcover, pages 244
8 1/2 x 11 inches
ISBNΒ 9780300249941



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